PROMOTIONAL CARD FOR NICK LAND’S FANGED NOUMENA

THE BOY WHO ALWAYS LOOKED UP

OBITUARIES 1999

JOHN COOPER CLARKE SONGBOOK

POSTER FOR NAIVE SET THEORY

POSTER FOR ATELIER E.B

ON 1984 AND BEYOND

PORTRAIT OF GENESIS BREYER P-ORRIDGE

ESPERANTO MOTTO

BERLIN KEY MANGLED

OUIJA BOARD FOR JOSEF ALBERS

TALKING HEADS’ SPEAKING IN TONGUES LP WITH ACETATES

CALLIGRAPHY FOR EXHAUSTION & EXUBERANCE

FANTASIST

DUST JACKET FOR RICHARD HAMILTON’S COLLECTED WORDS

ROYAL CANADIAN LEGION, BANFF

CAMOUFLAGED SHIP IN DRY DOCK

PERSEVERE IV

ILLUSTRATIONS FOR ROBES AND GEOMETERS

MITIM GAMMA TYPE SPECIMEN

BHUTAN TALKING STAMPS

WATCH SCAN 1200 DPI

COURTESY OF SETH PRICE (MALLARME/BROODTHAERS)

POSTER FOR NO GHOST JUST A SHELL

TY I JA MAGAZINE

BAUHAUS YOGA

FOUR PICTURES OF ULRICH ROSKI

SKEPTICISM AND AFFECT

REMARKABLE

CHROMA KEY GREEN VIDEO PAINT

GREY PAINTING: TEXT VERSION 2

WHERE WERE WE SHOP SIGN

ANOTHER SHADOW FIGHT

PORTRAIT OF BENJAMIN FRANKLIN / TRYING TO FIND FLAWS, IF ANY, IN AN ENLARGEMENT OF A SUPERDOLLAR

SKETCH FOR THE LONDON UNDERGROUND MAP

J.D. SALINGER'S FRANNY AND ZOOEY

FAXED DRAWING OF UK SHIPPING FORECAST REGIONS

UNISEX WATERPROOF REVERSIBLE SERVING JACKET

XTC’S GO 2 LP SLEEVE

OPENING PAGE OF THE FIRST U.S. EDITION OF JAMES JOYCE’S ULYSSES

SCARLET ELSE

THINKING MORE ABOUT PRODUCTION THAN CONSUMPTION

DECORATION SPREAD FROM MEMPHIS MONOGRAPH (DOCTORED)

LOGO FOR MIT PRESS / LOGO FOR BLACK FLAG

PORTRAIT OF WYNDHAM LEWIS

PORTRAIT OF MARK E. SMITH

BLACK WHISKY (BLIND PROOF)

PHOTOGRAPH OF BUTCHER’S BAR, LONDON EC1

A MMOUSE ABOUT TO ENTER THE PUBLIC DOMAIN

CUTTING FROM AN ARTICLE ON NORMAN POTTER’S PENTON KITCHEN

WOODSTOCK MOVIE

THE SMOKE OF MY OWN BREATH

POSTER FOR PFAFFERLI + HUBER PHARMACEUTICALS

INFORMATION IS LIGHT

TROPICáLIA OU PANIS ET CIRCENSIS LP SLEEVE

SCORE FOR CLAPPING MUSIC

JOHN FOXX’S METAMATIC AND THE GARDEN LP SLEEVES

ACETATE SHEET WITH SUM

FALSCHUNGSERSCHWERENDE SCHRIFT

SCRITTI POLITTI’S ASYLUMS IN JERUSALEM /  JACQUES DERRIDA DOUBLE A-SIDE 12" SINGLE SLEEVE

ARRANGEMENT FOR MY BETTER HALF

THE SUN AS ERROR

COLOR PORTRAIT OF UMBERTO ECO

COMPOSITE MECCANO PRINT OF THE NUMBER 5

THE LIBRARIAN

POSTER FOR THE INVISIBLE UNIVERSITY

SCIENCE, FICTION (ABSTRACT)

MONUMENT TO COOPERATION

FRAME

ISOTYPE CHARTS FROM ATLAS: SOCIETY AND ECONOMY

ART BOOKS NOW

POSTER FOR LA BATALLA DE LOS PATOS

KENT STATE

BANG LSD BLOTTER ART

BLAZON 4 MOHOLY-NAGY

WIRE'S PINK FLAG, CHAIRS MISSING, 154, AND ON RETURNING LP SLEEVES

FROM BOLT TO BULB

VECTORS FOR LOOKING

PERSPECTIVES

CONTROL MAGAZINE

MONEY / HISTORY SPREAD FROM THE LAST WHOLE EARTH CATALOG

RANDOM PAGE FROM A MILLION RANDOM DIGITS (WITH 100,000 NORMAL DEVIATES)

BESHTY’S POSSIBLE TRIANGLE

A.J. AYER’S HUME

FURTHER LSD BLOTTER ART / SEX PISTOLS’ PRETTY VACANT 7" SINGLE SLEEVE

TOTAL DESIGN PUBLICITY PHOTOGRAPH (WITH REFERENCE DIAGRAM)

FOUND TRANSPARENCY OF SUE LYON (DOCTORED)

MONUMENT TO DEMOCRACY

FRONT / BACK PORTRAIT OF ROBOT GILBERT ADAIR

META-THE-DIFFERENCE-BETWEEN-THE-TWO-FONT COMPOSITE GLYPH

MURIEL COOPER SELF-PORTRAIT WITH POLAROID SX-70, VIDEO IMAGED AND PRINTED AT THE VISIBLE LANGUAGE WORKSHOP, 1977

THE * AS ERROR

ADVERTISEMENT FOR WATCH WYOSCAN 0.5 HZ

STRUTTARE PER PARLA DE PIEDI

IMAGE OF TWINS PLAYING WITH A PACK OF PARALLEL CARDS

THE VARIABLE: TRANSLATOR